PreSonus Eris E5 Review

If you’re producing audio, it’s often said that your results will only be as good as the weakest link in your production chain. For many people, the weakest link is their studio monitors. Finding a pair of quality monitors can be a real challenge in any situation, but it’s even harder to find them on a budget. The fact that so many home studios aren’t exactly ideal acoustic spaces only adds to the difficulty. This PreSonus Eris E5 review will offer a potential solution.

Full Disclosure: This is an affiliate review. Purchasing from the link or buttons below earns me sales commission.

PreSonus Eris E5 Review: Overview

Pairing a 5.25-inch Kevlar woofer with a one-inch silk dome tweeter, the Eris E5 delivers a solid frequency range – 53 hertz to 22 kilohertz – and an impressively loud maximum SPL of 102 decibels. The performance may fall a bit short of high-end studio gear, but the E5 is a great monitor for the price. With clean sound quality and a very flat response, it’s especially well-suited to home and budget studio work.

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What Makes a Good Studio Monitor?

Before we really dig into the details of this PreSonus Eris E5 review, it’s helpful to explore what actually makes a good studio monitor. The truth is that there’s no objective standard for the “best” near-field monitors, so part of the process always comes down to personal preference. Still, there are a few important things you should consider.

First, you’ll need to choose between passive and active monitors. Active monitors are powered by built-in amplifiers, so they’re more convenient and require less gear. The amps in high-quality active monitors are specifically matched with the speakers, which translates to better performance. Passive monitors aren’t powered and need to be paired with standalone amplifiers. This makes them more affordable and versatile, but managing the extra gear can be a hassle. For most people, active monitors are likely a better choice.

Another key factor is the range of frequencies the monitors can reproduce. This is shown as a range that usually extends from hertz (Hz) on the low end to kilohertz (kHz) on the high end. In general, you should look for a range of at least 50 Hz to 20 kHz. It’s also important to check the frequency response, which tells you how much the monitor deviates from “flat” across its frequency range. For instance, a typical monitor might have the following specifications: “50 Hz – 20 kHz ± 5 dB.” This means it can reproduce frequencies ranging from 50 hertz to 20 kilohertz, with any given frequency being louder or quieter than the baseline by up to five decibels. A rating of three decibels or lower is preferred for most applications.


  • Inputs
    • Balanced XLR
    • Balanced ¼” TRS
    • Unbalanced RCA
  • Performance
    • Frequency Response: 53 Hz – 22 kHz
    • Crossover Frequency: 3 kHz
    • LF Amplifier Power: 45W
    • HF Amplifier Power: 35W
    • Peak SPL (@ 1 meter): 102 dB
    • LF Driver: 5.25”
    • HF Driver: 1” silk dome
    • Input Impedance: 10 kΩ
  • User Controls
    • Volume Range: A-type taper
    • MF Control: -6, 0, +6 dB
    • HF Control: -6, 0, +6 dB
    • Low Cut: Flat, 80 Hz, 100 Hz
    • Acoustic Space: Flat, -2 dB, -4 dB
  • Protection
    • RF interference
    • Output-current limiting
    • Over-temperature
    • Turn-on/off transient
    • Subsonic filter
    • External mains fuse
  • Power
    • 100-120V ~50/60 Hz or 220-240V ~50/60 Hz
  • Cabinet
    • Vinyl-laminated, medium-density fiberboard
    • Width: 7” (178 mm)
    • Depth: 7.68” (195 mm)
    • Height: 10.24” (260 mm)
    • Weight: 10.2 lbs (4.63 kg)

presonus eris e5 back side

What’s In The Box

Each monitor came well packaged in it’s own box. They had molded foam that surrounded the top and bottom faces for stability inside the box and during shipping. Each monitor was also wrapped in a thin layer of plastic.

presonus eris e5 unboxing

presonus eris e5 pads

The sticker pads are made of a high-density foam and can be placed on the bottom of the four corners of the monitor to help with acoustic isolation.


These monitors have a switch on the back labeled “ACOUSTIC SPACE” which can be toggled to one of three positions depending on how your room is set up. You can see each of the three settings and what situation the’re used for on the back side of the monitors (shown above under Specs).

The PreSonus Eris E5s also have a low cutoff switch that can be toggled between flat, 80 Hz, or 100 Hz. These can be used in conjunction with a sub like the PreSonus Temblor T8 to achieve a full range of sound. They also have two tuning knobs labeled “HIGH” and “MID” which range from + to -6 dB.

The monitors also have a blue power indicator light displaying the logo at the bottom right of the cabinet. Tweeters are protected by a metal grille.

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The Pros & The Cons


  • Reliably clean and flat sound for predictable results
  • Professional quality at an affordable price
  • Surprisingly loud for a five-inch monitor
  • Front-facing bass ports provide more positioning flexibility
  • Offers a variety of connection options


  • May not be ideal for especially bass-heavy applications
  • Five-inch monitor may be a bit too small for some people
  • Some users have reported mild hissing and AC hum
  • Picks up mild RF interference when idle, and a pop on startup – interference goes away once the monitors are out of idle mode

How It Stacks Up

With technology steadily advancing, there are now more options than ever for anyone in need of affordable studio monitors. Many of these monitors fall short of the E5 in key areas, but there are a few that are worth your consideration. Before you spring for the Eris E5, make sure you’ve taken a look at these competitors as well.

KRK Rokit 5 G3

One of the most common complaints about the PreSonus Eris E5 is its lack of low-end thump. Well, if it’s a whole bunch of bass you’re after, it’s hard to do better in a five-inch monitor than the KRK Rokit 5 G3. The Rokit 5 has become a go-to choice for many people who work with hip-hop and other music styles that benefit from an enhanced low-end response.

It’s also a popular option if you’re simply looking for a pair of high-quality speakers for casual listening. However, the Rokit 5’s enhanced response also results in less faithful audio reproduction. This can make it more difficult to achieve accurate and predictable results during the mixing and mastering stages of production.

krk rokit 5 g3

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On the other end of the spectrum from KRK’s offering is the JBL LSR305. Much like the Eris E5, the LSR305 offers a clean and faithful sound that makes it perfect for unbiased mixing and mastering. The overall sound quality is at least as good as the Eris E5. However, it’s important to note that the LSR305s are rear-ported and should be placed away from walls. This can make placement more challenging, especially in studios with limited space.jbl lsr305

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PreSonus Eris E5 Review: The Bottom Line

If you’re reading this PreSonus Eris E5 review, there’s probably just one question you really want answered: are these monitors right for you? Unfortunately, the best answer is that it depends on your needs. If you have a small or mid-sized studio and you’re looking for affordable monitors that can reproduce sound very cleanly and accurately, the E5 is among your best options. However, the Eris E5 may not have the low-end muscle for larger studios and more bass-heavy applications.

That’s it, thanks for reading. I hope this review helps you find the right pair of studio monitors for your specific application, needs, and situation!

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